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Sunday, 12 February 2012

Question 1

In what ways does your media product use, develop or challenge forms and conventions of real media products?

This is our production name we like this as it was in a bible and looks very biblical, I chose outcast productions as it was a good name for our group and also the religious man was an outcast so it had something to do with that also.  I really liked this as it was different way of putting your credits actually in the film instead of on the macs. 


With this shot the place looks old but still in use it has big doors which are unconventional but the setting looks a bit eerie and the sort of place you cold take a victim as it is out the way. We chose a country location as it was a typical place for it to happen, Kirkby underwood is not very densely populated with about 200 people living there we tough this would be better as it would not take as much effort to get permission to film and we wouldn’t have to asks peoples permission or stop filming when someone walked by like you would in a town. 


Both of these places look like general building but what happen inside of the one on the left was terrible, we tried to get and eerie looking place and so we chose these building, we got permission to go into them so we could use them. 
We used rosary beads as they are religious and the attacker is also religious and so they work well, in the opening you get a quick glimpse of them every so often giving them a sparing thought but always being there as they are more noticeable sometimes than others.

Our film is of the thriller genre as it has all the conventions of a thriller like the eerie back ground music the way the shot are put together. The contrast of the shot and the acting involved with the piece. The place where we take the victim and the fact that there is a victim and an attacker you wouldn’t have this in a comedy however. We didn’t use any dialogue as we though it was more powerful with music instead, we made some music on garage band which was very effective as we could cut clips and chose bits we wanted we could get the maximum effect from each clip and have the music at a climax 

What makes a thriller



The main conventions of what people expect form a thriller are to experience the tension when a character is placed in a menacing situation or traps that seem impossible to escape.  And another time when the audience experienced tension is when a life is threatened by character being involved in a dangerous for potentially deadly situation.  The plot of a thriller is to conflict with the outside forces they like atmosphere of creepy menace and sudden violence, crime and murder characterise thrillers. They mostly are adrenaline rushing, gritty, rousing fast-paced. Thrillers mainly take place in ordinary places.

Mis-En-Scene 

The mis-en-scene is what you see in the picture and the aesthetics of it and what is included in the shots. A typical mis-en-scene piece would be one with a house on a hill in a isolated location with the moon behind it and a scream coming from inside the building this would be a typical setting. This is a screen shot form the happening

This screen grab here shows tension on the actors faces which shows it is not a comedy but a thriller they are all looking a the same thing.
The industry use mis-en-scene to show a thriller at it s best they uses actors facial expressions props can also be a major part of the shot that is taken.

Mis-en-scene is a lot to do with camera shots so looking up at someone can make the audience feel inferior or the character feel powerful, in the case of jaws the camera just above water level with the non diagetic sound it is like a pov shot from the sharks perspective. 

Sound

Sound play a big part of the industry to make a thriller in films the audience can feel the tension building with the non diagetic sound that is added in the happening beginning is a good one to look at as you feel like something has happened already some other ones are jaws when the non diagetic music you now jaws is close. We made our sound on garage band and added it over the film it was conventional music for thriller, we didn’t have anything to jazzy or western it was just like thriller music with a dramatic pause in the middle.



Editing 

Editing is also used in the industry for fast action car chases fast editing is used flicking between shot really quickly in second blocks. In thriller like physco the camera shot are between the knife the killer and the victim. We used fade between the shots.


We also had a story boards that we made so we knew the running order of the shots and so the actors new what they were doing.




Question 2

How does your media product represent particular social groups?

We didn’t have a hero and a villain really, I suppose the villain was me as I kidnapped the victim Hannah but we did use the typical thriller conventions of the female being the one kidnapped and the male being the attacker we did not use black people not to be racial but we didn’t need them in our thriller as it was more a religious angle than a violence angle. The costumes were simple as Hannah was wearing very tarty clothing, I would be wearing something casual, to blend in with normal people but I would have my rosary beads on. Mainly Christian are white British people who pray in churches.


Stereotypes

Some people are classed in stereotypes like black people are viewed as being violent and unsocial, where as Muslim men are viewed a terrorist this is because some extremist take thing to the ultimate and people look at them as if they are gong to hurt others, this is the wrong view to look at people like this. Another stereotype are foreign people some of the silvering population believe that they are coming over here and taking the jobs of English people and jumping the housing queue but from a labour intensive mangers point of view it is cheaper to employ foreign workers that could perhaps do a better job the only barrier is the language I think that they should be able to speak English.


question 3

What kind of media institution might distribute your media product and why?


The organisation that would distribute our film could be dimensions as they have sponsored many films in the thriller genre like Halloween and scream. I think they would want to take on our film as it different but not unconventional which means that is it a bit stereotypical o the female is the victim and the male is the attacker. Unlike other films our is different in a way on which it is religious and that is they key subgenre to it where as the other films they sponsor are physiological thrillers our is based on a religious person who is trying to save this girls fro this drug dealing boyfriend, they only reason he takes her away is to stop this boyfriend corrupting her with drugs. I think dimension would like this as it is a bit different from the norm and would be interesting, if they sponsored this film they would be going down another path not just physiological thrillers and parody thrillers. Dimension films are owned by The Weinstein Company.  All the films released before October 1st 2005 belong to Miramax films. Dimension films was made in 1992.

We had a drag scene in our opening where I dragged Hannah to the car to put her in. Below is our drag scene and the drag scene from Momento.

 






 


Released as part of The Weinstein Company

TitleRelease DateNotesBudgetGross
The Amityville HorrorApril 15, 2005with Metro-Goldwyn-Mayer$19 million$108,047,131
Wolf CreekDecember 25, 2005with Darclight Films$27,762,648
Scary Movie 4April 14, 2006with Miramax Films$40-45 million$178,262,620
PulseAugust 11, 2006$20.5 million$29,907,685
FeastSeptember 22, 2006$3.2 million$658,573
School for ScoundrelsSeptember 29, 2006co-distributed by Metro-Goldwyn-Mayer$35 million$23,947,685
Black ChristmasDecember 25, 2006co-distributed by Metro-Goldwyn-Mayer$9 million$21,510,851
GrindhouseApril 6, 2007$53 million$25,422,088
DOA: Dead or AliveJune 15, 2007$21 million$7,516,532
1408June 22, 2007co-distributed by Metro-Goldwyn-Mayer$25 million$131,998,242
Who's Your Caddy?July 27, 2007co-distributed by Metro-Goldwyn-Mayer; produced by Our Stories Films$7,000,000$5,713,425
HalloweenAugust 31, 2007co-distributed by Metro-Goldwyn-Mayer$15 million$80,249,467
The MistNovember 21, 2007co-distributed by Metro-Goldwyn-Mayer$18 million$57,293,715
Superhero MovieMarch 28, 2008co-distributed by Metro-Goldwyn-Mayer$35 million$71,237,351
RogueApril 25, 2008$26 million$4,620,096
The PromotionJune 6, 2008
Hell RideAugust 8, 2008$390,128
The LongshotsAugust 22, 2008$11,767,866
Soul MenNovember 7, 2008co-distributed by Metro-Goldwyn-Mayer$40 million$12,082,391
Halloween IIAugust 28, 2009$15 million$39,318,589
Janky PromotersOctober 16, 2009$10 million$9,069
The RoadNovember 25, 2009$25 million$27,635,236
Youth in RevoltJanuary 8, 2010$18 million$19,623,544
Piranha 3DAugust 20, 2010$24 million$83,188,165
Scream 4April 15, 2011$40 million$97,138,686
Spy Kids: All the Time in the WorldAugust 19, 2011$27 million$74,081,634
Apollo 18September 2, 2011$5 million$25,562,924

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